- #JAY Z 444 ALBUM ZIP SKIN#
- #JAY Z 444 ALBUM ZIP PRO#
- #JAY Z 444 ALBUM ZIP PLUS#
- #JAY Z 444 ALBUM ZIP TV#
Adobe’s Mercury Engine, which boosts the performance of the editor on PCs and Macs, has been updated to improve Premiere’s playback on high-resolution external displays. Premiere is now integrated into the Adobe Stock marketplace so you can add assets from the Stock portfolio into your work with just a few clicks. Also new to Premiere is Morph Cut, which helps intelligently eliminate jump cuts between sound bites through a combination of facial tracking and frame interpolation. If you need still more fine-tuning, you can send the project directly into SpeedGrade. From the Lumetri panel, you can select presets (or “Looks”) to quickly apply an effect across your frame. The so-called Lumetri Color panel blends the color-grading and correction capabilities that Adobe had earlier introduced in its SpeedGrade plug-in with Lightroom-style tools such as sliders for white balance, exposure, tone and tint.
#JAY Z 444 ALBUM ZIP PRO#
Magic Bullet Suite 12’s tools are all fully compatible with Adobe After Effects and Premiere Pro, while host support for Final Cut Pro X, Avid and other editors will vary depending on the plug-in in question.Īs part of its 2015 Creative Cloud release, Adobe supercharged the color-grading capabilities of its marquee video editor.
#JAY Z 444 ALBUM ZIP SKIN#
Magic Bullet’s skin touch-up tool, Cosmo 2.0, joins the GPU acceleration parade, gaining a 20 percent speed bump in Adobe products and for the first time gets compatibility with Final Cut Pro X and Sony Vegas. It also gains the ability to render effects in near-real-time. The Mojo 2.0 colorizer enjoys a 20-percent speed boost with GPU acceleration in Adobe Premiere and an 80 percent bump in Apple Final Cut Pro.
#JAY Z 444 ALBUM ZIP PLUS#
The color-grading tool Colorista III also gets a new user interface plus the ability to leverage Adobe’s masking and tracking features. Magic Bullet Film includes 22 negative stocks and four print stocks to choose from. Suite 12 marks the introduction of Magic Bullet Film, a film emulator that the company says mimics “the entire photochemical process” from film negative to grading, grain and print stock.
#JAY Z 444 ALBUM ZIP TV#
Magic Bullet Looks, the suite’s film looks and color-correction tools, gains 198 presets derived from popular films and TV shows. Among the major enhancements is GPU acceleration for several of the suite’s plug-ins to deliver real-time color correction without leaving a smoldering ruin where your CPU used to be. Red Giant’s Magic Bullet Suite 12 updates most of the company’s color-correction and color-grading tools. To speed things along, Resolve Studio supports Intel Iris and Pro GPUs and can create customizable media proxies for RAW and high-resolution video files. There’s a new curves interface plus automatic color matching between two or more clips in addition to new tools for creating smart filters. DaVinci’s core strength, color grading, wasn’t neglected. Media management tools now include a “smart bin” function that displays footage based on metadata tags for easier retrieval. The audio engine has also been revamped to offer higher sampling rates and better real time playback (including reverse playback and slow motion scrubbing). Moving deeper into editing, the updated Resolve Studio can now cut programs from multiple video sources in real time, syncing camera angles based on time code, audio waveforms or in/out points. Resolve 12 packs in more than 80 new features, tackling everything from media management to color grading. INFO: Blackmagic Design DaVinci Resolve STUDIO 12
RED camera users will also enjoy GPU-accelerated transcoding, playback and rendering for RAW files from RED cameras.
Several new video formats are supported in the program as well, including Panasonic’s AVC-Ultra and Sony’s XAVC-S. You can now view up to four video scopes simultaneously in Final Cut to guide color grading and corrections. For color-grading and effects work, Apple improved Final Cut’s masking features, allowing users to save shape masks as presets for later use. Among the new features is 3D titling with drag-and-drop functionality, along with 3D title templates with built-in backgrounds and animations. Now on version 10.2 (or is that X.2?) Apple hasn’t done a complete about-face, but continues to build upon the reconceived video editor with new features that will appeal to pros and enthusiasts alike. But it’s a testament to how fast video technology is changing that at least one of the video editing programs in our roundup is supporting the resolution, even as other products are adding compatibility with 4K formats.Īmong people who care about such things, the introduction of Final Cut Pro X several years ago was deeply polarizing, with key features being dropped in favor of delivering a simpler, more consumer-friendly program. For many DSLR filmmakers, the phrase “8K” may seem more than a wee bit premature.
0 kommentar(er)
